Stanislavski
  • Overview
  • Timeline
  • Influences: People and Events
    • Anton Chekhov
    • Vladimir Ivanovich Nemirovich-Danchenko
    • Nikolai Gogol
    • Henrik Ibsen
    • Vsevolod Meyerhold
    • Alexander Pushkin
    • Mikhail Shchepkin
    • Russian Revolutions
    • Moscow Art Theatre (MAT)
  • Productions Directed and Target Audiences
    • Hamlet (Shakespeare)
    • Othello (Shakespeare)
    • The Seagull (Chekhov)
    • Tartuffe (Molière)
    • The Three Sisters (Chekhov)
  • Theories, Conventions and Practices
    • Action
    • Active Analysis
    • Adaption
    • Attention (Circles of Attention)
    • Bit/Unit
    • Control and Finish
    • Controller/Muscle Controller/Monitor
    • Communication
    • Creative State
    • Embodiment
    • Emotion
    • Experiencing
    • Forth Wall
    • Fusion
    • Given Circumstances
    • Here, Today, Now
    • I Am Being
    • If/Magic If
    • Imagination
    • Justification
    • Logic and Consistency
    • Lure
    • Method of Physical Actions
    • Muscular Release
    • Public Solitude
    • Rays
    • Sense and Emotion Memory
    • The Six Questions
    • Subconscious
    • Subtext
    • Supertask (or Super Objective)
    • Supertask of the Character
    • Task/Objective
    • Tempo-rhythm
    • Three Bases of the System
    • Through-line of Action
    • Truth and Belief
  • Staging and Playhouse Architecture
  • Legacy
    • Richard Boleslavsky
    • Michael Chekhov
    • Mikhail Kedrov
    • Vsevolod Meyerhold
    • Lee Strasburg: Method Acting
    • Evgeny Vakhtangov
  • Useful Links
  • Exam Prep
  • Blog - Test
  • Waffles
    • Subtext
    • Superobjective
    • Realistic sounds and set
    • Justification
    • Bits/units
    • Longer Rehearsal Times
    • Tempo-rhythm
    • Emotion Memory
    • Given Circumstances

Created by Holyrood Advanced Higher Drama 2013-14
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