Stanislavski
Overview
Timeline
Influences: People and Events
Anton Chekhov
Vladimir Ivanovich Nemirovich-Danchenko
Nikolai Gogol
Henrik Ibsen
Vsevolod Meyerhold
Alexander Pushkin
Mikhail Shchepkin
Russian Revolutions
Moscow Art Theatre (MAT)
Productions Directed and Target Audiences
Hamlet (Shakespeare)
Othello (Shakespeare)
The Seagull (Chekhov)
Tartuffe (Molière)
The Three Sisters (Chekhov)
Theories, Conventions and Practices
Action
Active Analysis
Adaption
Attention (Circles of Attention)
Bit/Unit
Control and Finish
Controller/Muscle Controller/Monitor
Communication
Creative State
Embodiment
Emotion
Experiencing
Forth Wall
Fusion
Given Circumstances
Here, Today, Now
I Am Being
If/Magic If
Imagination
Justification
Logic and Consistency
Lure
Method of Physical Actions
Muscular Release
Public Solitude
Rays
Sense and Emotion Memory
The Six Questions
Subconscious
Subtext
Supertask (or Super Objective)
Supertask of the Character
Task/Objective
Tempo-rhythm
Three Bases of the System
Through-line of Action
Truth and Belief
Staging and Playhouse Architecture
Legacy
Richard Boleslavsky
Michael Chekhov
Mikhail Kedrov
Vsevolod Meyerhold
Lee Strasburg: Method Acting
Evgeny Vakhtangov
Useful Links
Exam Prep
Blog - Test
Waffles
Subtext
Superobjective
Realistic sounds and set
Justification
Bits/units
Longer Rehearsal Times
Tempo-rhythm
Emotion Memory
Given Circumstances
Moscow Art Theatre (MAT)
Slideshow by Hannah Boyle-
Our Lady's High School, Cumbernauld
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