Stanislavski
  • Overview
  • Timeline
  • Influences: People and Events
    • Anton Chekhov
    • Vladimir Ivanovich Nemirovich-Danchenko
    • Nikolai Gogol
    • Henrik Ibsen
    • Vsevolod Meyerhold
    • Alexander Pushkin
    • Mikhail Shchepkin
    • Russian Revolutions
    • Moscow Art Theatre (MAT)
  • Productions Directed and Target Audiences
    • Hamlet (Shakespeare)
    • Othello (Shakespeare)
    • The Seagull (Chekhov)
    • Tartuffe (Molière)
    • The Three Sisters (Chekhov)
  • Theories, Conventions and Practices
    • Action
    • Active Analysis
    • Adaption
    • Attention (Circles of Attention)
    • Bit/Unit
    • Control and Finish
    • Controller/Muscle Controller/Monitor
    • Communication
    • Creative State
    • Embodiment
    • Emotion
    • Experiencing
    • Forth Wall
    • Fusion
    • Given Circumstances
    • Here, Today, Now
    • I Am Being
    • If/Magic If
    • Imagination
    • Justification
    • Logic and Consistency
    • Lure
    • Method of Physical Actions
    • Muscular Release
    • Public Solitude
    • Rays
    • Sense and Emotion Memory
    • The Six Questions
    • Subconscious
    • Subtext
    • Supertask (or Super Objective)
    • Supertask of the Character
    • Task/Objective
    • Tempo-rhythm
    • Three Bases of the System
    • Through-line of Action
    • Truth and Belief
  • Staging and Playhouse Architecture
  • Legacy
    • Richard Boleslavsky
    • Michael Chekhov
    • Mikhail Kedrov
    • Vsevolod Meyerhold
    • Lee Strasburg: Method Acting
    • Evgeny Vakhtangov
  • Useful Links
  • Exam Prep
  • Blog - Test
  • Waffles
    • Subtext
    • Superobjective
    • Realistic sounds and set
    • Justification
    • Bits/units
    • Longer Rehearsal Times
    • Tempo-rhythm
    • Emotion Memory
    • Given Circumstances

Alexander Pushkin

Overview

  • Alexander Pushkin (1799 - 1837)
  • Well know for his poems and novels
  • Brought up in a distinguished Russian family (Well known to the bourgeois)
  • As a child Pushkin went to school outside St Petersburg where he made a reputation being a poet and was interested in politics
  • After his death, every year there is a 'Pushkin Prize' which is given to the most literate in the country
  • 1831 - After reading Gogol's 'Evening on a farm' he turned to the idea of realism
  • His stage design was very realistic, as well as costume (Where do we see this..?)
  • Influenced Stanislavskiby his 'psychological realism' as he concluded the best authors are like Shakespeare: Their downfall was the truth of the characters and in order to be good you had to understand the given circumstances (which Stanislavski talks about in his 'System'). - (Whose downfall are we talking about here?)
  • Stanislavski used Pushkin's ideas for the rehearsal process of many of his plays (seagull) and mentions it being a huge influence in 'An Actor Prepares'.
  • Pushkin influenced Stanislavski in his formulation of the concept of 'Tempo Rhythm' (derived from Pushkin's 'Physical rhythm'). Pushkin used this in his operas, such as 'Eugin Onegin'
  • He focussed on the denial of emotions, by creating a backstory in order to make it real)
Created by Holyrood Advanced Higher Drama 2013-14
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